Sun 13:13:36 EET | | Temporarily failed download of hadam3pm2_um_7.03_i686-pc-linux-gnu.zip: connect() failed Sun 13:13:36 EET | | Temporarily failed download of hadam3pm2_se_7.03_i686-pc-linux-gnu.zip: connect() failed Sun 13:13:36 EET | | Internet access OK - project servers may be temporarily down. Sun 13:13:35 EET | | Temporarily failed download of hadam3pm2_data_7.03_i686-pc-linux-gnu.zip: connect() failed Sun 13:13:35 EET | | Temporarily failed download of hadam3pm2_7.03_i686-pc-linux-gnu: connect() failed Sun 13:13:35 EET | | Project communication failed: attempting access to reference site I've got this for several hours already after 32bit libraries installed (it might be not related to the 32bit update) I've installed the libraries, did some project reset and I tried to get a MOSES model. It might give you ideas for installing 32bit compatibility libraries on previous versions of Ubuntu or on Fedora/Redhat. The generic guidance from boinc on running 32bit apps on 64bit Linux is here: Yum install compat-libstdc++-33.i686 compat-libstdc++-33.x86_64 zlib.i686 libstdc++.i686įor recent versions of Debian, try the advice in this post Yum install compat-libstdc++-296.i686 compat-libstdc++-33.i686 compat-libstdc++-33.x86_64 zlib.i686 libstdc++.i686įor Redhat/CentOS/SciLinux 7, the following command should work: Sudo apt-get install lib32ncurses5 lib32z1 gcc-4.7-multilib Sudo apt-get install lib32ncurses5 lib32z1 lib32stdc++-6-devįor 64bit Ubuntu 16.04, the following command should work: Sudo apt-get install lib32ncurses6 lib32z1 lib32stdc++-7-devįor 64bit Ubuntu 18.04 and 19.04, the following command should work to ensure 32bit compatibility with cpdn apps (or at least it worked in April 2019): This is copied to earlier in the thread for anyone new looking for help with 32bit CPDN in 64bit Linux.įor 64bit Ubuntu 19.10 and 20.04, the following command should work to ensure 32 bit compatibility with cpdn apps Below is guidance for later versions of Ubuntu and Redhat/CentOS to have compatibility with cpdn. In order to get cpdn models to run on 64bit Linux, you must have these libraries installed. Most/all 64bit Linux distributions do not by default have 32bit compatibility libraries installed. It will ask you for your password and hence run the script with root privileges.As of October 2019, all cpdn apps are still 32bit. If something is printed to the terminal that sound like there is a permission problem, run sudo /home/fossaw/Downloads/boinc_7.4.42_x86_64-pc-linux-gnu.sh. You'd type /home/fossaw/Downloads/boinc_7.4.42_x86_64-pc-linux-gnu.sh in the terminal and hit enter, which runs the script. You'll need the path the script is located in. To run it and see what's printed, open a terminal ( Ctrl+Alt+T or search Terminal in the Dash). I never used this script and don't know if it's meant to open any windows or just print to the console its run in. It's more secure and you'll get automatic updates through the update manager, for instance. There are many advantages in using the software sources instead of downloaded scripts. (Simply search for boinc in the Ubuntu Software Centre. First of all: To use boinc, I'd recommend installing it through the software repositories, not from a script.
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Nobody wants to find themselves in the most isolating social situation of their life because they can't find a dress that fits right. Heat: Kyle Lowry (hamstring) is out against the 76ers Gabe Vincent (knee), Max Strus (hamstring), Caleb Martin (ankle), Tyler Herro (ankle), PJ Tucker (calf), Dewyane Desmon (illness) are all questionable tonight Maybe they should consider his career arc more like a late-stage playmaking point guard rather than a burnt-out former scoring champ. I’m not saying he is the player he once was, but the Sixers will have to keep this all in mind when they enter contract negotiation with him this offseason. Philly is outscoring opponents by 8.3 points per 100 possessions when Harden is on the floor, and they’re getting outscored by 4.8 per 100 during minutes when he isn’t. The 32-year-old Harden was literally an MVP candidate last year, and his ball-handling, playmaking, and game management are still elite. Harris and Maxey are playing some of the best hoops of their lives right now, and it’s not a coincidence that they’ve taken a step forward playing alongside Harden. This gives Philadelphia phenomenal spacing, and many of his teammates are wide open on the perimeter because the Heat remain laser-focused on The Beard. Look at all of the attention that Harden draws from Miami’s defense. "James Harden hasn't attempted 20 shots, he has to shoot more." Instead, he enabled teammates like Joel Embiid, Tobias Harris, and Tyrese Maxey to cook. He wasn’t out there chucking up 30 shots per game. Harden isn’t currently the scorer he once was, but he maintained enough self-awareness to play deferential basketball during his scoring slump. It was a welcome change of pace for Harden, especially as his poor play had become the subject of almost every snobby basketball podcast. Harden was also 6-for-10 from 3-point range, which was encouraging. He scored 31 points while adding 7 rebounds and 9 assists. During Philadelphia’s recent Game 4 win over Miami, he showed us why. We’ve already talked about the lack of explosiveness from James Harden.īut maybe folks have been overly critical of the 2018 NBA MVP of late. Subscribe here to get it delivered to your inbox every afternoon. In his eight seasons with the Houston Rockets, Harden only committed this twice, even during the postseason.Welcome to Layup Lines, our daily NBA newsletter where we’ll prep you for a tip-off of tonight’s action, from what to watch to bets to make. The 31-year-old megastar also did the same in a previous match. This is actually not the first time James Harden has not shot the ball in a quarter while playing for the Nets. Heat with an awful foul on his 3-point attempt with 0.7 seconds left. James Harden officially with 0 FG attempts in the first quarter and the Nets still scored 36 points. More surprisingly, Brooklyn still put up 36 points in the first quarter despite The Beard's rather timid start. The one-time NBA MVP did convert on all his three charity stripe attempts. If not for an awful foul by the Heat on Harden's desperation 3-point heave, he would have gone scoreless in 12 minutes. The usually trigger-happy guard did not even attempt a single field goal up until the closing seconds of the opening canto. Brooklyn Nets superstar James Harden was unusually gun-shy in the first quarter of the Brooklyn Nets' hosting of the Miami Heat at Barclays Center. His very early recordings were full of the sway of fiddles and steel guitars but once he signed with RCA, he quickly gravitated to the sweetened style of what was to be called the Nashville Sound. They are beautiful, living documents of a golden era when labels like Columbia, Decca, Capitol and RCA Victor were king but, to take one example, did Don Gibson, who made a fair share of classic recordings, ever make a classic album? Probably not.īringing up Gibson touches on another point that has often been particular to country: authenticity. That’s not to say that there isn’t a thrill to collecting vintage country LPs. The individual tales that are detailed in two or three minutes usually stand out from the twelve-inch package designed to contain them. Miller’s creative influence was celebrated in supreme style in 2018 with one of the year’s most engaging LPs, King of the Road: A Tribute to Roger Miller, featuring Musgraves along with Dolly Parton, Willie Nelson, Merle Haggard, Ringo Starr and Brad Paisley.Country music has, perhaps more than any other genre, been oriented around the song as opposed to the album. But it’s not entirely impossible to draw a through line from this to Kacey Musgraves’ Golden Hour via, for instance, Daft Punk. Working with producer Giorgio Moroder, Forsey’s lyrics concern a man who can’t be tied down to just one woman for very long, preferring instead, he sings, to “spread myself around.” In spite of the mundane lyrics, which suffer from not having Miller’s magic touch to them, what redeems the tune is the Country Music Hall of Famer’s trademark honky-tonk-meets-scat-singing delivery, topped off with Moroder’s synthesized electronic instrumentation that, at the time, must have seemed somewhat cartoonish, especially when combined with country music staples such as steel guitar. In this case, it was a trio of tunes with vocals from, respectively, power-pop artist Marshall Crenshaw, R&B singer Chaka Khan and Miller.īut rather than his own work, Miller performed a delightfully bizarre tune penned by lyricist Keith Forsey, who had previously played percussion on and/or written and produced songs for Donna Summer and Billy Idol, among others. As with many of the film-related albums of the time, the soundtrack to Superman III soundtrack mixed instrumentals (like the familiar, sweeping score by Oscar-winning conductor John Williams) with songs by popular artists. Miller had his work cut out for him with the rather obscure and fascinating “They Won’t Get Me,” his contribution to the soundtrack LP for the 1983 action-adventure film Superman III.Ī tepid box-office hit after two blockbuster predecessors, the film was universally panned by critics in spite of (and in some cases because of) the presence of comedian Richard Pryor. But even on those rare occasions when he recorded material written by others, his delectable wit made those tunes his own. Much of Miller’s creative genius was rooted in his left-of-left-field humor, which sparked creative wordplay in the songwriter. Born January 2nd, 1936, in Fort Worth, Texas, and raised in Erick, Oklahoma, Miller would become one of the most celebrated songwriters in American history, an entertainer and composer distinguished for his contributions to country and pop music, as well as for his 1985 Tony-winning Broadway show Big River. Roger Miller would have turned 83 years old today. Furnished by a miniaturist, every new piece that Nella is given seems to predict some new tragedy within the house, which is full of secrets-not all of which find a satisfying ending. His pious sister doesn’t either, and after feeling trapped in their oddly sparse Amsterdam house, she’s gifted a dollhouse that is a replica of the one in which she lives. Taking place in 17th-century Amsterdam (which is painted in muted, Vermeer-esque tones), we follow the plight of young Nella Oortman (Anya Taylor-Joy) who is more or less sold to a charming, wealthy, and roguish man who doesn’t seem to have much interest in her. The Miniaturist is not a horror series, but it is certainly spooky and not without a few jump scares that augment its dramatic reveals. Stars: Anya Taylor-Joy, Romola Garai, Alex Hassell, Hayley Squires, Paapa Essiedu Gorgeous to look at and with a sumptuous score to match, the series is Victorian-era consumer porn. At its center is young Denise (Joanna Vanderham), The Paradise’s new shop girl and the eyes to the many dramas-a shocking discovery in ladies wear!-behind the immaculately merchandised scenes. There’s even a Piven lookalike (Emun Elliott) as the titular store’s too-suave owner. Selfridge, this story of a small-town girl who moves to London for a coveted retail job is definitely worth a look. Easily paired with the similarly themed, slightly later-set Jeremy Piven-starring series Mr. Stars: Joanna Vanderham, Peter Wight, Emun Elliott, Matthew McNulty, David Hayman, Sarah Lancashire, Sonya Cassidyĭescribing The Paradise as Downton Abbey in a department store might be a shade oversimplifying, but that’s often what this “veddy proper,” occasionally beguiling melodrama about the rich and the help calls to mind. Honorable Mention (not currently streaming on the aforementioned services, but may be found elsewhere): House of Cards (1990), Wives and Daughters, Jeeves and Wooster, Birdsong, Northanger Abbey If you can, give.īelow are 30 of our favorite PBS Masterpiece selections, ranked from great to absolutely must-watch. And keep in mind, all of this has aired on TV for free, and it’s only the start! If you aren’t already supporting your local PBS station, why not? What public broadcasting has provided in terms of educational and entertainment content over this last half-century is absolutely astonishing. It’s excellent family entertainment that’s saucier than Disney but more restrained than late-night basic cable (although Sanditon and Indian Summers makes one question that). No matter what route you choose, you can rest assured that everything featured on PBS Masterpiece is good. Of note: Many of these series also hop around Netflix, Hulu, and other streaming sites-so keep your eyes peeled! Some of those alternate viewing destinations are included below. You can also watch current Masterpiece programming for free via PBS.org! It’s also a good mix of what you can find on Amazon/Britbox/Masterpiece services below (Passport links are found throughout this list), and includes Sherlock, which is not included with those other services. It gives you an expanded version of what you currently see on PBS, including full seasons of your favorite shows before they have aired weekly. The content here is free if you are a current PBS donor (at $60/year or $5/month levels, typically, though levels vary by location). Route 2) If all of that sounds too pricey or complicated, you can instead download the PBS Passport app. And/or, you can choose to pay for the Britbox add-on (additional $6.99/month) for access to still another great list of BBC shows. You can also choose to pay for the PBS Masterpiece add-on via Amazon Prime (additional $5.99/month), which gives you another host of great options. Route 1) If you are an Amazon Prime subscriber, there are a lot of great series already included in your Prime Membership. However, there are two routes you can take to watch the bulk of the best that Masterpiece has to offer. Thankfully, now, it’s just Masterpiece.īut like so much in the streaming world, just because we once saw these shows on PBS doesn’t mean you can find them there today (RIP forever the OG Anne of Green Gables miniseries). Those have, over the years, mostly been part of Masterpiece Theater, Masterpiece Classic, Masterpiece Mystery, and Masterpiece Contemporary. Yes, PBS has given us many treasures over the last 50 (yes, 50! years!) like Frontline, NOVA, Sesame Street, The Joy of Painting and Arthur, but it’s also full of great UK period pieces and crime series. When most of us think of PBS series, our minds go to what is actually under the Masterpiece banner. 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A convenience store shooting involving three separate factions of her class creates tension she uses to break down barriers via shared experience. Two events finally give Erin the wherewithal to connect with her class. The shining naif is told by Eva that she is hated because she is white and by Andre (Grammy–nominated artist Mario) that she is expecting respect she has not earned. That is nothing, though, than the violence she witnesses both in her barely controlled classroom and on the school grounds. Seeking help for her curriculum from her junior/senior counterpart, Brian Gelford (Hickey), Erin is shocked to be brutally rebuffed. An excited Gruwell, bedecked in prim pearls, hopes to share her ambitious class plans and reading lists with her superior, but a condescending Margaret Vail (Staunton) smirks and advises lower standards. As LaGravenese shows us the everyday violence of the integrated Blacks, Asians and Latinos and segregated society they lead on the white's home school turf, Eva describes it, setting the stage for Erin's arrival. Young Latina Eva (April Hernandez, TV's "Law and Order," "ER") is our guide into the young teens' world, narrating an existence where simply leaving one's house makes one a potential gunshot victim. A well chosen cast of unknowns and up and comers flesh out the story with differentiated characterizations while Academy Award nominee Imelda Staunton ("Vera Drake") and character actor John Benjamin Hickey ("Flags of Our Fathers") turn old school educators into contemporary villains. By emphasizing her dazzling, toothy smile and can-do cheerleading style, Hilary Swank makes her well-intentioned misfit utterly believable. But then she opens her student's eyes by having them recognize the commonality of their lives while expressing individual voices in private journals and turns a class of high school freshmen into a published group known as the "Freedom Writers." As inspirational teacher movies go, writer/director Richard LaGravenese's ("Living Out Loud") take on a true story hues close to reality by using the real Freedom Writers' words and embracing the geeky earnestness of his main character. In 1994, brand new teacher Erin Gruwell (Hilary Swank, "Million Dollar Baby," "The Black Dahlia") has an idealistic, squeaky clean outlook on her profession that does not prepare her for the reality of racially and ethnically divided Wilson High School. “In order for me to be an effective leader, I need to know what my Soldiers know.” “I feel it is important for me to be here” said 1st Sgt. Matthew Caiazzo from the 456th Area Support Medical Company in Somersworth New Hampshire. 1st Class (E-7s) are required to recertify, but 1st Sgt. Thai said having the TC3X mannequins made the training more realistic, since students did not have to simulate inserting a trach or applying a tourniquet, but were instead able to physically practice those skills, making the training more rewarding. Additionally, each mannequin had a missing limb because research showed that that injury occurred most often in a combat environment. Some unique features of these state-of-the-art mannequins include life-like skin, breathing capabilities, and even realistic simulated blood in veins. “The instructors are very knowledgeable, and you get hands on training that you don’t get during battle assembly or annual training.”ĭuring the recertification training, Soldiers use Tactical Combat Casualty Care Exportable (TC3X) Mannequins for hands on training of the skills they reviewed in the classroom. Long Thai from the 224th Special Troops Battalion (STB) in Long Beach, California, this was his first time attending a recertification training. Not every medic is on the same two-year cycle, but everyone must meet the recertification deadline of March 31st.įor Spc. Medics are required to recertify every two years, or they risk no longer being Military Occupational Specialty (MOS) qualified. Combat Medic Specialists (68W) from various Reserve and National Guard units reported to the Tass Training Center (TTC) Lee for the 80th Training Command’s 94th Training Division’s 68W recertification training February 13 - 26, 2023. 1st Class Matthew Caiazzo uses a tracheostomy to keep the TC3X airway open.įORT LEE, Va. Thai, uses the TC3X Mannequin to simulate clearing an injured Soldiers airway. Soldier uses a Nasopharyngeal Airway (NPA) to create an open airway based on the scenario given by instructors.Ĭombat Medic Specialists (68W) from various Reserve and National Guard units reported to the Tass Training Center (TTC) Lee for the 80th Training Command’s 94th Training Division’s 68W recertification training Gerald Gipson walks students through different hands-on scenarios based on what they learned in the classroom.Ĭombat Medic Specialists (68W) from various Reserve and National Guard units reported to the Tass Training Center (TTC) Lee for the 80th Training Command’s 94th Training Division’s 68W recertification training. G3, Plans and Operations Army Division - CHQCĪssistant Placement Coordinator (SAD E-4) (.Sgt. Operations and Support Section Chief (SAD CW2/O-2) (.pdf)ĭirector, Work For Warriors (SAD O-4) (.pdf)įireGuard Officer in Charge (OIC) (SAD O-4) (.pdf) State Active Duty Appointment Application (.pdf)Īssistant Logistics Specialist (SAD E-4) (.pdf).(916) submit your SAD applications, as one file, to: the links below for following documents: State Active Duty Point of Contact (POC): Military Personnel Management Officer (MPMO) (.docx) Maintenance Officer/Group Commander (.docx) IT Specialist (Systems Administration) (.docx) JFHQ-CA (-) - STATE ARMY AVIATION OFFICE (SAO)Īctive Guard Reserve – Air Force Point of Contact (POC):įinancial Management and Comptroller(.docx) For instructions on how to apply, please click the following link: FTSMCS AGR Jobs Module Instructions (.pdf) Points of Contact (POC): CAC authentication is required for access into FTSMCS. However, any VA’s posted on or after this date will no longer require applications to be submitted through SAFE but will require applications to be submitted on FTSMCS Jobs. Any VA’s posted on or after this date will be posted both this CMD website, and FTSMCS. All VA’s prior to this date will be processed the same way, and applications will be submitted through SAFE. Active Guard Reserve – Army Application Information:Įffective February 7, 2022, CAARNG AGR accessions process transitions to FTSMCS Jobs. * EditPad puts an icon in the system tray that remains visible, even if EditPad is closed. * Reopen menu that lists the last 16 files opened. * When you close an unsaved file, EditPad will either warn you, automatically save the file as you prefer. * You have the option to keep the EditPad window on top of all other windows. and immediately see the effects in the print preview. * You can specify many print settings: font, margins, headers/footers, etc. * Block functions: save parts of your text to disk and insert a file in the current text. Of course, if you do need more instances, simply pick View|New editor from the menu. 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Several adventure modules were quickly published to support the folio edition, and one of them, C1 The Hidden Shrine of Tamoachan, featured the first deities designed specifically for a World of Greyhawk setting. However, Gygax did not include any details of the deities he used in his home campaign at this time. In 1980, TSR published Gygax’s home campaign world as a 32-page folio, World of Greyhawk (known as the “folio edition” to differentiate it from later versions). Cuthburt") is mentioned this was the first published reference to a Greyhawk deity. In Gygax's serialized novella The Gnome Cache, which was set in Greyhawk, a shrine to St. Because both deities represented aspects of Good, Gygax eventually created a few evil deities to provide some villainy. Gygax, with tongue in cheek, created two gods: Saint Cuthbert-who brought non-believers around to his point of view with whacks of his cudgel -and Pholtus, whose fanatical followers refused to believe that any other gods existed. However, some of the players wanted Gygax to create and customize a specific deity so that cleric characters could receive their divine powers from someone less ambiguous than "the gods". Some of his players took matters into their own hands, calling upon Norse or Greek gods such as wikipedia:Odin or wikipedia:Zeus, or even Conan's Crom in times of dire need. Since his campaign was largely built around the needs of lower-level characters, he didn't think specific deities were necessary, since direct interaction between a god and a low-level character was very unlikely. However, when Gygax started to build his own campaign world called Greyhawk, one facet of culture that he did not address was organized religion. When Dungeons & Dragons was developed in the early 1970s by Gary Gygax and Dave Arneson, one of the archetypal character classes in the original game was the cleric, a character who received divine powers from “the gods”. Greyhawk as a home campaign: very few deities 6.4 Deities associated with humanoids and other races.6.1 3rd edition List of Greyhawk Deities.6 Third Edition D&D and Living Greyhawk.3 Greyhawk deities in the boxed set: Four human pantheons. |
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